Richard Kraft

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.

These unmediated portraits (made on the London Underground) exist in multiple iterations, as both video portraits and works on paper. 

Each video portrait lasts as long as the person being filmed remained on the train. They range from approximately two to five minutes. Inspired by Walker Evans’ book of photographs Many Are Called, the Tube Portraits capture moments during which people—simply sitting and waiting en route from one place to another—reveal something strangely private and naked in this very public space.

The still images have been made as both large scale inkjet prints, and as a "stamp" edition, in which 100 miniature portraits have been printed with perforation marks and assigned numeric values.